Marshall as50d инструкция на русском

1

From the Chairman

I would like to thank you personally for selecting the AS50D, Acoustic

Soloist combo.

The Marshall name has been associated with many fine products over

the years and our commitment to quality remains as constant today as it
did right back at the birth of Marshall Amplification back in 1962.

In the case of the Acoustic Soloist, much time and research has gone

into making the sound as natural as possible. As all of my designers are
also guitarists, they fully understand the needs of the player and bring
their expertise to bear on all our products. You can also rest assured that
every Marshall amplifier has been designed and engineered to the
highest possible standards, so as a result will stand the test of time and
constant use.

I strongly suggest that you read this handbook carefully before using

your AS50D and then keep it on hand for future reference.

I am certain that you will get great enjoyment from your Marshall

Acoustic Soloist combo and wish you every success with it.  

Yours Sincerely,

English

English 

Introduction

The AS50D is a compact and portable 50 Watt combo amplifier specially designed for use with acoustic

instruments. Between its two channels, this combo has the flexibility to handle instruments with transducers, such
as piezo or magnetic pick-ups (channel 1), or microphone for either vocal or instrument reproduction (channel 2).

The built-in Chorus effect is assignable to either or both channels and the Reverb can be controlled and balanced

between the channels to create just the right ambience. If you want to add further effects, then there is an on-board
parallel effects loop which can be balanced between the channels in the same way as the Reverb.

One of the most difficult aspects of amplifying some acoustic instruments is feedback. To help you eliminate this,

the AS50D features several ‘anti-feedback’ controls, including a Phase switch and a frequency controllable Notch
Filter. The combination of these two elements will give you precise control of the frequencies where feedback is
likely to occur and help you to eliminate them.

For clear and detailed performance, the AS50D is loaded with two 8″ speakers and a high fidelity polymer dome

tweeter. There is also an internal limiter which allows you to push the maximum level from the 50 Watt output,
whilst remaining distortion free.

Neat and compact, flexible and portable, the AS50D is the ideal amplifier for the acoustic player who wants a

system as suitable for small gigs as it is at home. 

Front Panel Features

Channel 1 — Acoustic Instrument Channel

1. Input Jack

Plug the lead from your guitar in here. The high
impedance of this input will help you to get the
best from the passive or active piezo or magnetic
pick-ups.

2. Volume Control

Controls the volume level of the Acoustic Channel 1.
A good place to start with this control is the half
way, or 12 o’clock position, then adjust according
to the sensitivity of your pick-up.

3. Bass Control

Adjusts the amount of bass, or bottom end of the
instrument’s tone. Care should be taken when
setting this control as adding excessive bass can
cause unnatural howling. Again, the half way
position is the best place to start.

4. Treble Control

Adjusts the treble, or top end of your sound.
Careful adjustment will make your high notes lively
but not too harsh. It is worth noting that set in
higher positions, this control will induce a certain
amount of noise.

Channel 2 — Microphone / Aux Channel

5. Phono Inputs

Inputs to take connection from a tape or CD player.

6. Microphone Input

Balanced XLR type input for connection of a
microphone and suitable for vocal or instrument
applications. This input supplies phantom power.

7. Jack Input

Input to take any source, such as a drum machine,
keyboard, etc.

8. Volume Control  

Controls the volume level of the Microphone / Aux
Channel 2. A good place to start with this control is
the half way, or 12 o’clock position, then adjust
according to the sensitivity of your pick-up

9. Bass Control

Adjusts the amount of bass, or bottom end of your
sound. Care should be taken when setting this
control as adding excessive bass can cause
unnatural howling. Again, the half way position is
probably the best place to start.

10. Treble Control

Adjusts the treble, or top end of your sound.
Careful adjustment will make your high notes lively
but not too harsh. It is worth noting that set in
higher positions, this control will induce a certain
amount of noise.

Master Section

11. Chorus Assign Switches

Allows the built in Chorus effect to be selected on
either channel individually, or both channels
together.

12. Chorus Speed Control

Controls the speed of change of frequency for the
built-in Chorus effect.

13. Chorus Depth Control

Controls the amount of change of the frequency
shift for the built-in Chorus effect.

Dr Jim Marshall OBE and daughter Victoria (Managing Director)

Компактный, переносной 50-ваттный усилитель AS50D включает в себя два специально разработанных 8″ динамика Celestion® и высококачественный полимерный купольный твитер, чтобы обеспечить ясный, мощный полнодиапозонный звук. Этот комбик отлично передает особенности вашей акустической гитары и является идеальным выбором для практикующих музыкантов и гитаристов. У данного усилителя есть два канала, к которым можно подключать как инструменты со звукоснимателями, например, пьезо или магнитными, так и микрофон для усиления звучания вокала или инструмента.
Цифровая секция FX включает в себя студийного качества реверберацию, которую можно применять как каждому каналу в отдельности, так и к обоим каналам сразу. Реверберацией также можно управлять и регулировать баланс между каналами, создавая нужное звучание. В случае, если необходимо добавить другие эффекты, усилитель имеет встроенную параллельную петлю эффектов, баланс которой, как и баланс реверберации, можно регулировать между каналами.
AS50D — идеально подходит и для концертов с акустической гитарой в небольших помещениях, и для домашнего использования.

Картинка с сайта: pop-music.ru

Технические характеристики

Тип: Комбоусилитель для акустической гитары
Категория: Акустический
Тип усилителя: твердотельный
Каналы: 2
Master Volume
Мощность: 50 Вт
Входы: 2 (AUX, XLR)
Линейный выход на задней панели
Микрофонный вход
D.i. выход
Вход для подключения напольного опционального контроллера: задняя панель
Регуляторы управления: VOLUME, BASS TREBLE x 2, SPEED, DEPTH, BALANCE, REVERB LEVEL, ANTI FEEDBACK FREQUENCY, MASTER VOLUME
Динамики: 2 x 8″ Celestion
Выходная мощность (каждого): 25 Вт
Импеданс: 8 Ом
Хорус, назначаемый на каждый канал
Цифровой эффект реверберации
Эффекты Loop
Петля-FX
Отключаемая система подавления обратной связи (Anti-Feedback) для работы с динамическими вокальными микрофонами
Фантомное питание
Транспортировочная ручка
Вес: 16 кг
Габаритные размеры (Ш x В x Г): 550 х 415 х 255 мм

Manual

View the manual for the Marshall AS50D here, for free. This manual comes under the category guitar amplifiers and has been rated by 5 people with an average of a 8.1.

This manual is available in the following languages: English. Do you have a question about the Marshall AS50D or do you need help?

Ask your question here

Marshall AS50D specifications

Below you will find the product specifications and the manual specifications of the Marshall AS50D.

The Marshall AS50D is a guitar amplifier that is widely used by musicians for live performances and studio recordings. This amplifier offers a range of features that enhance the sound quality and versatility of the guitar.

With its 50-watt power output, the Marshall AS50D is able to produce a loud and clear sound, making it suitable for various performance settings. It features two channels, allowing for the connection of multiple guitars or instruments simultaneously. Each channel has independent controls for volume, bass, and treble, providing flexibility in tone shaping.

One notable feature of the Marshall AS50D is its built-in digital effects, including reverb and chorus. These effects can be adjusted to achieve the desired sound and add depth to the overall performance. Additionally, this amplifier has an anti-feedback function that helps eliminate unwanted noise and maintain a clean sound.

The AS50D is equipped with two 8-inch speakers and a tweeter, which contribute to the production of a balanced and rich sound. It also has dedicated inputs for microphones and other audio devices, making it suitable for musicians who also incorporate vocals or backing tracks in their performances.

With its sturdy construction and reliable components, the Marshall AS50D is designed to withstand the rigors of the road. It is housed in a durable cabinet and features a comfortable carrying handle for easy transportation.

Overall, the Marshall AS50D guitar amplifier is a reliable and versatile option for musicians seeking a high-quality sound amplification solution for their performances and recordings.

Frequently Asked Questions

Can’t find the answer to your question in the manual? You may find the answer to your question in the FAQs about the Marshall AS50D below.

Is your question not listed? Ask your question here

Картинка с сайта: manualmachine.com

English

From the Chairman

I would like to thank you personally for selecting the AS50D, Acoustic

Soloist combo.

The Marshall name has been associated with many fine products over
the years and our commitment to quality remains as constant today as it
did right back at the birth of Marshall Amplification back in 1962.

In the case of the Acoustic Soloist, much time and research has gone
into making the sound as natural as possible. As all of my designers are
also guitarists, they fully understand the needs of the player and bring
their expertise to bear on all our products. You can also rest assured that
every Marshall amplifier has been designed and engineered to the
highest possible standards, so as a result will stand the test of time and
constant use.

I strongly suggest that you read this handbook carefully before using
your AS50D and then keep it on hand for future reference.

I am certain that you will get great enjoyment from your Marshall
Acoustic Soloist combo and wish you every success with it.

Yours Sincerely,

Dr Jim Marshall OBE and daughter V

ictoria (Managing Director)

Introduction

The AS50D is a compact and portable 50 Watt combo amplifier specially designed for use with acoustic
instruments. Between its two channels, this combo has the flexibility to handle instruments with transducers, such
as piezo or magnetic pick-ups (channel 1), or microphone for either vocal or instrument reproduction (channel 2).

The built-in Chorus effect is assignable to either or both channels and the Reverb can be controlled and balanced
between the channels to create just the right ambience. If you want to add further effects, then there is an on-board
parallel effects loop which can be balanced between the channels in the same way as the Reverb.

One of the most difficult aspects of amplifying some acoustic instruments is feedback. To help you eliminate this,
the AS50D features several ‘anti-feedback’ controls, including a Phase switch and a frequency controllable Notch
Filter. The combination of these two elements will give you precise control of the frequencies where feedback is
likely to occur and help you to eliminate them.

For clear and detailed performance, the AS50D is loaded with two 8″ speakers and a high fidelity polymer dome
tweeter. There is also an internal limiter which allows you to push the maximum level from the 50 Watt output,
whilst remaining distortion free.

Neat and compact, flexible and portable, the AS50D is the ideal amplifier for the acoustic player who wants a
system as suitable for small gigs as it is at home.

Front Panel Features

Channel 1 — Acoustic Instrument Channel

1. Input Jack

Plug the lead from your guitar in here. The high
impedance of this input will help you to get the
best from the passive or active piezo or magnetic
pick-ups.

2. Volume Control

Controls the volume level of the Acoustic Channel 1.
A good place to start with this control is the half
way, or 12 o’clock position, then adjust according
to the sensitivity of your pick-up.

3. Bass Control

Adjusts the amount of bass, or bottom end of the
instrument’s tone. Care should be taken when
setting this control as adding excessive bass can
cause unnatural howling. Again, the half way
position is the best place to start.

4. Treble Control

Adjusts the treble, or top end of your sound.
Careful adjustment will make your high notes lively
but not too harsh. It is worth noting that set in
higher positions, this control will induce a certain
amount of noise.

Channel 2 — Microphone / Aux Channel

5. Phono Inputs

Inputs to take connection fr

om a tape or CD player

6. Microphone Input

Balanced XLR type input for connection of a
microphone and suitable for vocal or instrument
applications. This input supplies phantom power.

7. Jack Input

Input to take any source, such as a drum machine,
keyboard, etc.

8. Volume Control

Controls the volume level of the Microphone / Aux
Channel 2. A good place to start with this control is
the half way, or 12 o’clock position, then adjust
according to the sensitivity of your pick-up

9. Bass Control

Adjusts the amount of bass, or bottom end of your
sound. Care should be taken when setting this
control as adding excessive bass can cause
unnatural howling. Again, the half way position is
probably the best place to start.

10.

Treble Control

Adjusts the treble, or top end of your sound.
Careful adjustment will make your high notes lively
but not too harsh. It is worth noting that set in
higher positions, this control will induce a certain
amount of noise.

Master Section

11. C

horus Assign Switches

Allows the built in Chorus effect to be selected on
either channel individually, or both channels
together

12.

.

Chorus Speed Control

Controls the speed of change of frequency for the
built-in Chorus effect.

13.

Chorus Depth Control

Controls the amount of change of the frequency
shift for the built-in Chor

.

fect.

us ef

English

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